The Great Stupa under the Sungas. The Sungas nearly doubled the diameter of the initial stupa, encasing it in stone, and built a balustrade and a railing around it. (Source)
Mason's marks in Kharoshti indicate that craftsmen from the north-west were responsible for foreign reliefs of Stupa No. 2.[27] This medallion was made circa 115 BCE.[28] (Source)
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Sunga period railings were initially blank (left: Great Stupa), and only started to be decorated circa 115 BCE with Stupa No.2 (right).[29][30] (Source)
The Great Stupa at the time of the Satavahanas. (Source)
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War over the Buddha's Relics, kept by the city of Kushinagar, South Gate, Stupa no.1, Sanchi.[68] (Source)
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King Ashoka visits Ramagrama, to take relics of the Buddha from the Nagas, but he failed, the Nagas being too powerful. Southern gateway, Stupa 1, Southern Gateway, Sanchi.[72] (Source)
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Ashoka in grief, supported by his two queens, in a relief at Sanchi. Stupa 1, Southern gateway. The identification with Ashoka is confirm by a similar relief from Kanaganahalli inscribed "Raya Asoko".[73][74][72] (Source)
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Bodhi tree temple depicted in Sanchi, Stupa 1, Southern gateway. (Source)
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Foreign devotees and musicians on the Northern Gateway of Stupa I.[76] (Source)
Temple 17: a Gupta period tetrastyle prostyle temple of Classical appearance. 5th century CE[122] (Source)
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Pillar 26: one of the two four-lions stambha capitals at Sanchi, with lions, central flame palmette and Wheel of Law (axis, stubs of the spokes and part of the circumference only), initially located at the Northern Gateway of the Great Stupa. Sanchi Archaeological Museum. (Source)
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Pillar 26: lion pillar capital at time of discovery, with Dharmachakra wheel (reconstruction). Northern Gateway.[128] (Source)
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Pillar 35 column stump (right), and bell capital with abacus, positioned upside down. (Source)
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Vajrapani statue of pillar 35, 5th c. CE. Sanchi Archaeological Museum. (Source)
Inscribed panel from Sanchi in Brahmi script in the British Museum[152] (Source)
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The last two letters to the right of this inscription in Brahmi form the word "dnam" (donation). This hypothesis permitted the decipherment of the Brahmi script by James Prinsep in 1837.[153] (Source)