Sanchi Stupa Images

1 / 276
Sanchi Stupa
2 / 276
3 / 276
4 / 276
5 / 276
6 / 276
7 / 276
8 / 276
The Ashoka pillar at Sanchi. (Source)
9 / 276
Plan of the monuments of the hill of Sanchi, numbered 1 to 50. (Source)
10 / 276
11 / 276
12 / 276
13 / 276
14 / 276
15 / 276
16 / 276
17 / 276
18 / 276
19 / 276
The Great Stupa under the Sungas. The Sungas nearly doubled the diameter of the initial stupa, encasing it in stone, and built a balustrade and a railing around it. (Source)
20 / 276
21 / 276
22 / 276
23 / 276
24 / 276
25 / 276
26 / 276
27 / 276
28 / 276
29 / 276
30 / 276
31 / 276
32 / 276
33 / 276
34 / 276
35 / 276
36 / 276
Mason's marks in Kharoshti indicate that craftsmen from the north-west were responsible for foreign reliefs of Stupa No. 2.[27] This medallion was made circa 115 BCE.[28] (Source)
37 / 276
Sunga period railings were initially blank (left: Great Stupa), and only started to be decorated circa 115 BCE with Stupa No.2 (right).[29][30] (Source)
38 / 276
39 / 276
40 / 276
41 / 276
42 / 276
43 / 276
44 / 276
45 / 276
46 / 276
47 / 276
48 / 276
49 / 276
50 / 276
Sunga pillar No25 with own capital on the side. (Source)
51 / 276
52 / 276
53 / 276
54 / 276
55 / 276
Inscription "Vedisakehi datakrehi rupakama kata" ( , "Ivory workers from Vidisha have done the carving").[43] (Source)
56 / 276
57 / 276
58 / 276
59 / 276
60 / 276
61 / 276
62 / 276
The Great Stupa at the time of the Satavahanas. (Source)
63 / 276
War over the Buddha's Relics, kept by the city of Kushinagar, South Gate, Stupa no.1, Sanchi.[68] (Source)
64 / 276
King Ashoka visits Ramagrama, to take relics of the Buddha from the Nagas, but he failed, the Nagas being too powerful. Southern gateway, Stupa 1, Southern Gateway, Sanchi.[72] (Source)
65 / 276
Ashoka in grief, supported by his two queens, in a relief at Sanchi. Stupa 1, Southern gateway. The identification with Ashoka is confirm by a similar relief from Kanaganahalli inscribed "Raya Asoko".[73][74][72] (Source)
66 / 276
Bodhi tree temple depicted in Sanchi, Stupa 1, Southern gateway. (Source)
67 / 276
Foreign devotees and musicians on the Northern Gateway of Stupa I.[76] (Source)
68 / 276
69 / 276
70 / 276
71 / 276
72 / 276
73 / 276
74 / 276
"The promenade of the Buddha", or Chankrama, used to depict the Buddha in motion in Buddhist aniconism. (Source)
75 / 276
76 / 276
77 / 276
78 / 276
79 / 276
80 / 276
The Siri-Satakani inscription (Source)
81 / 276
82 / 276
83 / 276
This Sanchi relief permitted this reconstruction of the city of Kushinagara circa 500 BCE. (Source)
84 / 276
85 / 276
86 / 276
87 / 276
88 / 276
89 / 276
90 / 276
91 / 276
92 / 276
93 / 276
94 / 276
95 / 276
96 / 276
97 / 276
98 / 276
The actual "Diamond throne" at Bodh Gaya, built by Ashoka c.260 BCE. (Source)
99 / 276
100 / 276
101 / 276
102 / 276
103 / 276
104 / 276
The Buddha in levitation performing the Miracle of Sravasti, Gandhara, 100-200 CE. (Source)
105 / 276
106 / 276
Jetavana story, Bharhut, 2nd century BCE. (Source)
107 / 276
108 / 276
109 / 276
110 / 276
111 / 276
112 / 276
113 / 276
114 / 276
115 / 276
Foreigners playing carnyxes and aulos flute at Sanchi (detail). (Source)
116 / 276
117 / 276
118 / 276
119 / 276
The same scene in the Greco-Buddhist art of Gandhara. (Source)
120 / 276
121 / 276
122 / 276
123 / 276
124 / 276
125 / 276
126 / 276
127 / 276
128 / 276
129 / 276
130 / 276
131 / 276
The Diamond throne as discovered. (Source)
132 / 276
133 / 276
134 / 276
135 / 276
136 / 276
137 / 276
138 / 276
139 / 276
140 / 276
At the top of the panel, Maya's dream of the visit of an elephant, in Kapilavastu. See also Maya's Dream (in "The life of Buddha)". (Source)
141 / 276
142 / 276
143 / 276
144 / 276
145 / 276
146 / 276
147 / 276
148 / 276
Ruler of the Mallakas of Kushinagara under siege (left end of the architrave). (Source)
149 / 276
150 / 276
151 / 276
152 / 276
153 / 276
154 / 276
155 / 276
156 / 276
Full relief.[113] (Source)
157 / 276
158 / 276
159 / 276
160 / 276
161 / 276
The Mahakapi Jataka in Bharhut. (Source)
162 / 276
163 / 276
164 / 276
165 / 276
166 / 276
167 / 276
168 / 276
169 / 276
170 / 276
171 / 276
172 / 276
173 / 276
174 / 276
175 / 276
176 / 276
177 / 276
Floral scrolls in the art of Gandhara. (Source)
178 / 276
179 / 276
180 / 276
181 / 276
182 / 276
183 / 276
184 / 276
185 / 276
186 / 276
187 / 276
188 / 276
189 / 276
190 / 276
191 / 276
192 / 276
193 / 276
194 / 276
195 / 276
196 / 276
197 / 276
198 / 276
199 / 276
200 / 276
201 / 276
202 / 276
203 / 276
204 / 276
205 / 276
This would be the Ashokan capital (wheel lost) depicted in this panel. (Source)
206 / 276
207 / 276
208 / 276
Stupas and monasteries at Sanchi in the early centuries of the Common Era. Reconstruction, 1900 (Source)
209 / 276
Sanchi inscription of Chandragupta II. (Source)
210 / 276
Temple 17: a Gupta period tetrastyle prostyle temple of Classical appearance. 5th century CE[122] (Source)
211 / 276
Pillar 26: one of the two four-lions stambha capitals at Sanchi, with lions, central flame palmette and Wheel of Law (axis, stubs of the spokes and part of the circumference only), initially located at the Northern Gateway of the Great Stupa. Sanchi Archaeological Museum. (Source)
212 / 276
Pillar 26: lion pillar capital at time of discovery, with Dharmachakra wheel (reconstruction). Northern Gateway.[128] (Source)
213 / 276
Pillar 35 column stump (right), and bell capital with abacus, positioned upside down. (Source)
214 / 276
Vajrapani statue of pillar 35, 5th c. CE. Sanchi Archaeological Museum. (Source)
215 / 276
216 / 276
217 / 276
218 / 276
219 / 276
220 / 276
221 / 276
Temple 18 at Sanchi, an apsidal hall with Maurya foundations, rebuilt at the time of Harsha (7th century CE). (Source)
222 / 276
223 / 276
224 / 276
225 / 276
226 / 276
227 / 276
228 / 276
229 / 276
The Great Stupa as breached by Sir Herbert Maddock in 1822. Watercolor by Frederick Charles Maisey, in 1851. (Source)
230 / 276
Ruins of the Southern Gateway, Sanchi in 1875. (Source)
231 / 276
A Gate to the Stupa of Sanchi 1932 (Source)
232 / 276
233 / 276
234 / 276
235 / 276
236 / 276
237 / 276
238 / 276
Chetiyagiri Vihara (Source)
239 / 276
Inscribed panel from Sanchi in Brahmi script in the British Museum[152] (Source)
240 / 276
The last two letters to the right of this inscription in Brahmi form the word "dnam" (donation). This hypothesis permitted the decipherment of the Brahmi script by James Prinsep in 1837.[153] (Source)
241 / 276
Sanchi Stupa no.1 (Source)
242 / 276
243 / 276
244 / 276
245 / 276
246 / 276
247 / 276
248 / 276
249 / 276
250 / 276
The Eastern Gateway (Source)
251 / 276
Ashok Pillar (Source)
252 / 276
The Great Bowl (Source)
253 / 276
254 / 276
255 / 276
256 / 276
257 / 276
258 / 276
259 / 276
260 / 276
261 / 276
262 / 276
263 / 276
264 / 276
265 / 276
266 / 276
267 / 276
268 / 276
269 / 276
Elephant procession to Sanchi Tope in Sanchi, Madhya Pradesh (Source)
270 / 276
The Great Sanchi Stupa (Source)
271 / 276
Chetiyagiri Vihara (Source)
272 / 276
273 / 276
274 / 276
275 / 276
276 / 276
Magnificent Pillars at Sanchi Stupa (Source)

All Photos of Sanchi Stupa

Click on an image to view in full screen

(Source) ">
(Source) ">
(Source) ">
(Source) ">
(Source) ">
(Source) ">

Explore photos of more places